5. BOOKS etc. – Australian art & architecture, general



(photo: detail from Pleasure of the Gaze [571], with Arkley’s fibre-tipped pen additions to reproduction of a work by Vicki Varvaressos)

 

[538]      #  The 1960s into the 70’s: Selections from the Chandler Coventry Collection. Clayton: Monash University Gallery, 1978 [HAA 10.4.i.131]: exh.cat., curated by Grazia Gunn

[539]      #  Aboriginal Art at the Top. Museums and Galleries of the Northern Territory, Maningrida, N.T., 1982 [HAA 10.4.i.132]: texts.by Peter Cooke et al.: pp.25-40 removed; p.41 partly clipped

[540]      ACAF 3 [Aust.Contemp.Art Fair], Melbourne, 1992: Brack etc.

[541]      The Angry Penguins: an exhibition of highly important works by Boyd, Nolan, Perceval, Tucker. Melbourne: Gould Galleries, 1997 (sale cat.)

[542]      #  Apocalypse + Utopia. Melb.Uni.Art Gallery, 1984 [HAA 10.4.i.133]: exh.cat., cur.John Nixon: Geoff Lowe, Jenny Watson etc. (pamphlet)

[543]      #  Art Cars: Bringing together artist and automobile, Powerhouse Museum, Sydney, 1989 [HAA 10.4.i.134]: BMW sponsored exh.; exs.by Warhol, Stella etc.; & Aust. works by Ken Done & Michael Jagamara Nelson]: of possible interest to Arkley re his idea of decorating a car (anecdote from friends)

[544]       #  The Art Gallery (dir.Luba Bilu) – promotional booklet, c.1988 [HAA 10.4.i.135]

[545]      #  Artists Make Books. St Kilda: Linden Gallery, 1991 [HAA 10.4.i.136]: exh.cat., curated by Christine Johnson; intro.essay by Merryn Gates; inc.Elizabeth Gower & others

[546]      The Beach. MOMA at Heide, 1994: exh.cat.; texts by Geoffrey Dutton & Juliana Engberg

[547]      #  Bendigo Artists 1989. Bendigo Art Gallery, 1989 [HAA 10.4.i.137]: artists teaching at CAE; page clipped (Ollis/Turpie)

[548]      Catalano, Gary. The Years of Hope: Australian Art & Criticism, 1959-1968. Melbourne: OUP, 1981: inscribed “Alison Burton”; NB tagged by Arkley at p.91: quote from John Perceval: after returning from England 1985: “This place is bloody marvellous – Europeans should come here” (Bulletin 20 March 1965, 28-9): discussed in Gregory, Carnival 115

[549]      #  Craftsman House book catalogue, 1995-6 [HAA 10.4.i.139]: ref McAuliffe, Art and Suburbia

[550]      #  Contemporary Art in Australia – a Review. Brisbane: Museum of Contemporary Art, 1987 [HAA 10.4.i.140]: opening exh., July 1987     

[551]      Cruickshank, Alan (ed.). Salient: South Australian Visual Art 1992-1995. Hackney, 1996

[552]      The Cunningham Dax Collection: selected works of psychiatric art. Melbourne UP, 1998 [AB]: late acquisition by Arkley

[553]      #  Dislocations: Body/memory/place. Melbourne: NGV, 1993 [HAA 10.4.i.141]: Access Gallery exh. pamphlet, cur.Marcus O’Donnell: re Aids etc.; inc.Juan Davila’s Ex Votto

[554]      #  Domino I: Collaborations between Artists. Melbourne: Ian Potter Gallery, 1992 [HAA 10.4.i.142]: exh.cat., cur.Merryn Gates; Arkley & Davila’s Blue Chip illustrated & discussed pp.20-21

[555]      #  Edelstein, Leo, & others (ed.). Pataphysics I/J, Melbourne, 1991 [HAA 10.4.i.143]

[556]      #  Edelstein, Leo. Solesmes. Melbourne, 1994 [HAA 10.4.i.144]: poetry

[557]      Engberg, Juliana, Downtown, Heide, 1995 [AB]: exh.cat.: Arkley, Rooney, Ruscha

[558]      #  The Field. NGV, 21 Aug.-28 Sept.1968 [HAA 10.4.i.146]: well-used copy: Dick Watkins etc.; NB pp.87-88 removed (cat.36: 1967 Leach-Jones picture)

[559]      #  Fünf vom Fünften: Richard Dunn, John Lethbridge, Mike Parr, Peter Tyndall, Ken Unsworth. Berlin: Daadgalerie, 1985 [HAA 10.4.i.147]: exh.cat., 2 Sept.-6 Oct.1985; texts by Tony Bond & others

[560]      #  The Golden Shibboleth. 200 Gertrude Street, Fitzroy, 1987 HAA 10.4.i.148]: exh.cat.; cur.Robert Lindsay: Tony Clark etc.

[561]      #  In Five Words or Less: the use of language in art. MOMA at Heide, 1995 [HAA 10.4.i.149]: exh.cat., cur. Christopher van der Craats: Danko, Holzer, Kruger, Indiana etc.

[562]      Irony, Humour & Dissent: Recent Australian Drawings I, Manly Art Gallery, 1989: exh.cat., inscribed on title-page: “Alison Burton”; Kennedy, Frank etc.

[563]      King, Natalie (curator). Lauren Berkowitz, Stephen Bram, Debra Ostrow, Kathy Temin. Melbourne: Jewish Festival of the Arts/Studio 14 at 200 Gertrude Street, 1993 [HAA 10.4.i.138]

[564]      #  King, Natalie (curator). Fashion, Décor, Interior: Stephen Bram, Tony Clark, Lyndal Walker. Clayton: Monash Uni.Gallery, 1995 [HAA 10.4.i.145]: NB insc. inside front cover: “To Howard my beloved teacher. Tony”; also inc. interview with the 3 artists by Leo Edelstein

[565]      Lotringer, Sylvère. A visit with the artists: an interview by Sylvère Lotringer, Melbourne, 1994 (Pataphysics series no.3)

[566]      McIntyre, Arthur. Australian Contemporary Drawing. Brisbane: Boolarong Publ., 1988: inc. Tillers etc.

[567]      Murphy, Bernice. Museum of Contemporary Art: Vision & context. Sydney: MOCA, 1993 [AB]: inc.Arkley’s Untitled 1988 [house] on cover

[568]      #  Persona Cognita. Museum of Modern Art at Heide, 11 Oct.-20 Nov.1994 [HAA 10.4.i.151]: exh.cat., texts by Juliana Engberg & others; cross-dressing etc.;

[569]      #  Pickett, Charles, The Fibro Frontier: a different history of Australian architecture, Sydney: Doubleday/Powerhouse Museum, 1997 [HAA 10.4.i.152]: ill.of Arkley’s Brand New (1994) on p.122

[570]      #  Plant, Margaret. Irreverent Sculpture. Clayton: Monash Uni.Gallery, 1985 [HAA 10.4.i.150]: exh.cat.

[571]      #  Pleasure of the Gaze: Image & Appearance in Recent Australian Art. Perth: Art Gallery of Western Australia, 1985 [HAA 10.4.i.153]: exh.cat., 15 June-30 July 1985, curated by Bruce Adams: Kozic, Tyndall, etc.; Richard Dunn image clipped from p.8; NB reproduction of work by Vicki Varvaressos p.10 has added doodle by Arkley (see photo above)

[572]      #  The Politics of Picturing. Tasmanian School of Art Gallery, 1984 [HAA 10.4.i.154]: exh.cat., cur.Suzanne Davies; inc. Davila, Tyndall etc.

[573]      #  Queensland Art Gallery. Annual Report 1994-95 [HAA 10.4.i.155]: lists Arkley’s Stucco Home 1991, p.61

[574]      #  Re-Model. George Paton Gallery, Univ.of Melbourne, June 1989 [HAA 10.4.i.156]: exh.cat.: Micky Allan etc.

[575]      #  The St Kilda Collection: catalogue of works acquired by the City of St Kilda 1980-1988, St Kilda, 1989 pamphlet [HAA 10.4.i.157]: inc.Jenny Watson, John Nixon, etc.

[576]      #  Stop Jabiluka Mine. Melbourne: Gould Galleries, Melbourne, 1998 [HAA 10.4.i.158]: exh.cat., 25 June-5 July 1998, cur.Ken McGregor: Larwill etc.

[577]      #  Store 5 compilation catalogue, c.April 1989 [HAA 10.4.i.159]

[578]      #  Stuart Gerstman Galleries. (promotional booklet, c.1984) [HAA 10.4.i.160]: Jock Clutterbuck etc.

[579]      #  Taylor, Paul (curator). Tall Poppies. Melb.Uni.Gallery, 1983 [HAA 10.4.i.1612]: exh.cat., 6 April-2 June: Dunkley-Smith, Frank, Nixon, Parr, Tillers

Taylor, Paul – see also [401]     

[580]      #  Vasari Revisited: a Kunstkammer in Melbourne. Fitzroy: 200 Gertrude Street, 1988 [HAA 10.4.i.162]: exh.cat., 9-20 Dec.1988, cur.Michael Graf: Tony Clark, Jo Ritson etc.

[581]      #  The WAIT Collection 1968-1983. W.A.Inst.of Technology, 1983 [HAA 10.4.i.163]: pp.17/18 & 27/28 clipped

[582]      #  Waterlow, Nick (ed.). European Dialogue – 3rd Biennale of Sydney 1979: a Commentary, Sydney, 1979 [HAA 10.4.i.164]

[583]      Waterlow, Nick, & others, Australian Biennale 1988: From the Southern Cross – A View of World Art c.1940-1988, Sydney, 1988 [AB]: inscribed “H.Arkley.88”; NB essay by Ian Burn, “The Re-appropriation of Influence” (pp.41-48)

[584]      Watkins, Jonathan, Every Day: 11th Biennale of Sydney, 1988 [AB]: exh.cat., inc.Arkley

[585]      Whitelaw, Bridget. Australian Landscape Drawing 1930-1880 in the National Gallery of Victoria. Melbourne, NGV, 1976: Buvelot etc.

[586]      #  Young Blood – Notes on Art Practice. Melbourne: Art Projects, 1983 [HAA 10.4.i.165]: ed. by John Nixon: works by Nixon, Watson etc.