4. BOOKS etc. – International artists (A-Z)
(photo: cover of Arkley’s copy of Allen Jones Figures [466])
[410] * Valerio Adami. Paris: Centre Georges Pompidou, 1985 [AB]: exh.cat.: NB image clipped from p.109 (1980 drawing of Sigmund Freud); cf.p.68: Freud travelling to London, 1973
[411] # Metken, Günter. Yaacov Agam. London: Thames & Hudson, 1977 [HAA 10.3.ii.101]: unmarked
[412] # Seuphor, Michel, Arp: Sculptures. London: Methuen & Co., 1964 [listed in HAA under ‘Interventions’, ser.1.2, no.2]: small paperback, extensively clipped and altered by Arkley, c.1977; for discussion, see Gregory, Carnival (2006), 144 & Fig.5.5
[413] Smith, Roberta (ed.). Rhapsody: Jennifer Bartlett. New York: Abrams, 1985: inscribed ‘Alison Burton’ – geometric work, of interest to both Arkley and Burton
[414] # Max Beckmann: the Triptychs. London: Whitechapel Art Gallery, 1980 [HAA 10.3.ii.102]: exh.cat., texts by Gert Schiff et al.; insc. on flyleaf: ‘Howard Arkley // Please return // 2668129’
[415] # Billy Al Bengston. Los Angeles: County Museum, 1968 [HAA 10.3.ii.103]: exh.cat., text by James Monte; Los Angeles artist; some air-brushed works; sandpaper covers
[416] Tisdall, Caroline. Joseph Beuys. New York: Thames & Hudson, 1979 [ex Prahran CAE lib.]; also inserted at front: clipping re John Davis etc. in Japan, and Picabia mask painting made with matches etc.
[417] Karl Blossfeldt Photographs, Cologne: Taschen, 1994: small format, photos of plants; text by Rolf Sachsse
[418] # Blossfeldt: 6 Posters. Taschen Posterbook, 1995 [HAA 10.3.ii.104]: cover marked by Arkley: ‘Bitza’
[419] Louise Bourgeois, NGV, 1995 [AB]: exh.cat.; texts by Jason Smith & Robert Storr; unmarked; Bourgeois’s Nature Study 1984 ill.on cover
[420] Bernadac, Marie-Laure. Louise Bourgeois. Paris: Flammarion, 1996 [AB]: major study, signed AB; also includes Nature Study col.pl. p.104, in “Body Parts” section]
[421] # Zemzoo – Veronika Bromová. XLVIII Biennale in Venice 1999 (Czech Pavilion) [HAA 10.3.ii.105]: small exh.cat.; unmarked
[422] # Droste, Magdalena (et al.). Marcel Breuer Design. Cologne: Taschen, 1992 [HAA 10.3.iii.11]
[423] # Colored Reading: the Graphic Art of Frances Butler. Berkeley: Lancaster-Miller, 1979 [HAA 10.3.ii. 106]: insc: ‘Howard Arkley – please return to’; cat.21/22 clipped
[424] Stephen Campbell, Tony Cragg (etc.). Tate Gallery, Liverpool, 1986: exh.cat.
[425] # Anthony Caro: Table Sculptures 1966-1977. British Council, 1977 [HAA 10.3.ii.107]: exh.cat., essay by Michael Fried
[426] Baelz, Peter (et al.). The Last Judgement by Anthony Caro. British Pavilion, 48th Venice Biennale, 1999 [AB]
[427] Finch, Christopher. Patrick Caulfield (Penguin New Art 2). Penguin, 1971: ex Caulfield CAE lib.; tagged at nos. 26 (Stained Glass Window 1967) & 37 (Interior with Shelf Units 1969; B&W]
[428] Patrick Caulfield Prints 1964-81. London: Waddington Galleries, 1981: booklet insc. ‘Tolarno Galleries’
[429] Patrick Caulfield. London: Hayward Gallery, 1999 [AB]: exh.cat., 4 Feb.-11 April, purchased in London? NB some parallels to Arkley, e.g. pl.16 Dining Recess (1972), and pl.24 Study of Roses (1976)
[430] # Chuck Close: Recent Work. Pace Gallery, New York, 1979 [HAA 10.3.ii.108]: exh.cat., 26 Oct.-24 Nov.1979; essay by Kim Levin; page removed near front (Philip Glass image?); note of names on back cover (not by Arkley?
[431] Chuck Close. Ostfildern: Cantz Verlag, 1994 [AB]: exh.cat., Baden-Baden & Munich; ed.Jochen Poetter & Helmut Freidel; English text
[432] # Bernard Cohen: Paintings and Drawings 1959-71. Arts Council of Great Britain, 1972 [HAA 10.3.ii 109]: exh.cat., Hayward Gall etc.; intro. Richard Morphet; NB compare Arkley’s 1970s-early 80s work, e.g. Cohen’s ‘white painting’ 1959 (ill.p.7); also pp.29-30: virtually completely white paintings 1967-8; also square format abstract geometric compositions (early 60s)
Joseph Cornell – see Mogelon, Art in Boxes 1974 [363]
Tony Cragg – see above, under Campbell [424]
Juan Davila – see under Australian artists [601-603]
[433] Sonia Delaunay: a Retrospective. Buffalo, N.Y.: Albright-Knox Art Gall., 1980 [AB]: exh.cat. (ex library copy); texts by Sherry Buckberrough & others; some Arkley notes; NB also pp.159ff. loose (costumes); Oct.1977 Connaissance de Arts extract on Delaunay inserted at front
[434] # Jean Dubuffet. Brisbane & Melb.: Ray Hughes Gallery, 1984 [HAA 10.3.ii.110]: exh.cat./brochure; small group of works shown at Reconnaissance April-May 1984 (seen there by Arkley?)
[435] # Dürer and his time. NGV, 1971 [HAA 10.3.ii.111]: exh.cat., text by Ursula Hoff et al.; inscribed ‘H.Arkley’; paint-spattered cover
[436] Deguer, André. Albrecht Dürer: The Complete Woodcuts. Thornbury, England: Artline, 1990 [AB]: NB source image for Arkley’s Cartographer is fig.72 on p.196, but Arkley obviously used another source for his 1983 painting
[437] Wölfflin, Heinrich. The Art of Albrecht Dürer. Phaidon, 1971: ex Caulfield CAE lib.copy; 1st publ. 1905
[438] The Revelation of St John Apocalypse – engravings by Jean Duvet. New York & London: Paddington Press, 1976
[439] # Recent Developments: Photographs by Elliott Erwitt, New York: Simon & Schuster, n.d. (c.1978?} [HAA 10.3.ii.112]: intro.by Wilfrid Sheed; inscribed: ‘Howard Arkley 1979’: quirky B&W photos
[440] # Richard Estes: the Urban Landscape. Boston: Museum of Fine Arts, 1978 [HAA 10.3.ii.113]: exh.cat.; essay by John Canaday; cat.& interview by John Arthur; inscribed on p.1: ‘Howard Arkley // Please. Return’; includes in-progress photos; shop-fronts etc. obviously of interest to Arkley
[441] Gilbert & George: the Complete Pictures 1971-1985. New York: Rizzoli, 1986 [AB]: texts by Carter Ratcliff & others; NB artists’ manifesto p.vii (“Art for All”): “We say that puzzling, obscure and form-obsessed art is decadent and a cruel denial of the Life of People”
[442] Gilbert & George The Naked Shit Pictures. South London Gallery, Sept.-Oct.1995 [AB] (exh.cat., signed by the artists)
[443] Zurcher, Bernard. Vincent van Gogh: art, life and letters. San Diego: Thunder Bay Press, 1985
[444] # Douglas Gordon: Through a Looking Glass. London: Gagosian Gallery, n.d. (1998?) [HAA 10.3.ii.114]: large fold-out format
[445] # Judd Tully. Red Grooms and Ruckus Manhattan, New York: Braziller, 1977 [HAA 10.3.iii.36]: copy inscribed ‘E.Gower 77’; re 13-month large-scale sculptural project in 1975-6 (recreating Manhattan!); pp.6/7 clipped
[446] Red Grooms: a Retrospective 1956-1984. Pennsylvania Acad.of the Fine Arts, 1985 [AB]: exh.cat.; texts by Judith Stein et al.; major catalogue
[447] # Franco Guerzoni, opere recenti. Bologna: Rasponi Arte Contemp., 1992 [HAA 10.3.ii.115]: exh.cat.: late 80s tachist work; cf. Salina [523]
[448] # Philip Guston. San Francisco: MOMA, 1980 [HAA 10.3.iii.28]: exh.cat.; essays by Ross Feld etc.; marked inside: “Return to. H.Arkley ‘81” (well-thumbed book)
[449] # Richard Hamilton. London; Tate Gallery, 1970 [HAA 10.3.iii.13]: exh.cat., inscribed “H.Arkley 77”; paint-spattered copy; NB Why are today’s homes… ill.on p.6
[450] # Richard Hamilton. Edinburgh: Fruitmarket Gallery, 1988 [HAA 10.3.iii.14]: exh.cat.: hotel interiors etc.
[451] Richard Hamilton. Tate Gallery, 1992 [AB]: exh.cat.; texts by Richard Morphet et al.; signed by Arkley
[452] Gruen, John. Keith Haring: the authorized biography. New York: Simon & Schuster, 1991 [AB]: NB cf.Arkley’s Visual Diary D38 (c.1993-4), for extensive notes on this book
[453] Celant, Germano, & others, Keith Haring, Milan: Charta, & Sydney: Museum of Contemporary Art, 1994 [AB]: exh.cat., various locs., 1994-7, beginning at Castello di Rivoli, Feb.1994, and ending at MOCA, Dec.1996-March 1997; insc.AB; tagged at pp.129 (Untitled shaped figure, 1984); 183 (Haring with his Pisa mural, 1989), 204 (Haring working in his studio, 1988), and 208 (A Pile of Crowns for Jean-Michel Basquiat 1988)
[454] # David Hockney Prints – selected from the collection of the Australian National Gallery, Canberra, NGV, 1976 [HAA 10.3.ii.116]: exh.cat., NGV 22 April 1976- ; paint-spattered cover, several images clipped from pp.21/2, 23/4 & 27/8
[455] David Hockney: Cameraworks. London: Thames & Hudson, 1984 [AB]: essay by Lawrence Weschler; clipped at pp.7/8
[456] Hockney, David. That’s the Way I See It. London: Thames & Hudson, 1993
[457] David Hockney: a drawing retrospective. London; Royal Academy, 1995 [AB]: exh.cat., texts by Ulrich Luckhardt & Paul Melia; major survey
[458] Howard Hodgkin: Forty-five paintings 1949-1975, Arts Council, 1976: exh.cat., texts by Richard Morphet & others
[459] # Howard Hodgkin: Indian Leaves. London: Peterburg Press, 1982 [HAA 10.3.iii.15]: works on paper; text by Bruce Chatwin
[460] Graham-Dixon, Andrew. Howard Hodgkin. London: Thames & Hudson, 1994
[461] Auping, Michael, & others. Howard Hodgkin Paintings. London: Thames & Hudson, 1995 [AB]: cat.rais.
[462] Gary Hume. XLVIII Venice Biennale, June-Nov.1999 [AB]: British Pavilion catalogue, texts by David Batchelor et al.
[463] Weinhardt, Carl. Robert Indiana. New York: Abrams, 1990 [AB]
[464] Rosenthal, Mark. Jasper Johns: work since 1974. London: Thames & Hudson, 1988 [AB]: exh.cat., Philadelphia Mus.of Art]
[465] Orton, Fred. Figuring Jasper Johns. London: Reaktion Books, 1994
[466] Allen Jones Figures. Milan: Galerie Mikro/Edizioni O, 1969 [AB]: works, soft-porn sources etc.; book held together with masking tape, obviously much used; marked & clipped throughout. NB this book includes a considerable number of reproductions of Jones’ source material, referenced at the end of the book
[467] Allen Jones Projects. London & Milan, 1971 [AB]: projects, several abandoned; some pp.removed e.g.17/18
[468] # Livingstone, Marco. Allen Jones: Sheer Magic. London; Thames & Hudson, 1979 [Arkley’s hardback copy, extensively cut and altered by text additions, is in HAA: listed in HAA under Ser.1.2 ‘Interventions’, no.3] {NB Arkley also owned a second intact copy, retained by AB}
[469] Allen Jones. London: Academy, 1993 [AB]: texts by Charles Jencks & others
[470] Herrera, Hayden. Frida: a biography of Frida Kahlo. New York: Harper & Row, 1983: inscribed by Alison Burton
[471] The Diary of Frida Kahlo: an intimate self-portrait. London: Bloomsbury, 1995 [AB]: facsimile of her journals from 1944-54, intro.Carlos Fuentes
[472] Alex Katz. Whitney Museum, 1986: exh.cat., inscribed AB; text by Richard Marshall
[473] # Watkins, Jonathan. On Kawara: Pure Consciousness. Biennale of Sydney, 1998 [HAA 10.3.ii.117]: pamphlet
[474] # Johnson, Fridolf. The Illustrations of Rockwell Kent. New York: Dover, 1976 [HAA 10.3.iii.18]: clipped at pp.49/50, 81/2, 87/8 (heads)
[475] Ketterer, Roman Norbert (ed.). E.L.Kirchner: Drawings and Pastels [1979]. London: Alpine, 1995
[476] Morphet, Richard (ed.). R.B.Kitaj. New York: Rizzoli, 1994: major exh.cat., Tate etc., 1994-5
[477] # San Lazzaro, G.di. Klee. London: Thames & Hudson, 1967 [for Arkley’s copy, see HAA: ser.1.2 ‘Interventions’, no.5]: World of Art volume, 1st publ.1964; inscribed inside: “Howard Arkley”; NB extensive additions by Arkley – sprayed lines etc., some pp.missing
[478] Muthesius, Angelika (ed.). Jeff Koons. Cologne: Taschen, 1992 [AB]
[479] The Jeff Koons Handbook. London: Thames & Hudson, 1992 [AB]
[480] # Fernand Léger: An Exhibition. New York: MOMA, 1976 [HAA 10.3.i.118]: exh.also toured Australia 1976?; inscribed ‘Howard Arkley’; well-thumbed copy
[481] Diehl, Gaston. Fernand Léger. New York: Crown, 1985
[482] Selections from the Notebooks of Leonardo da Vinci. Ed.Irma Richter. Oxford (World’s Classics), 1952: inscribed “P.Gower”
[483] Waldman, Diane. Roy Lichtenstein, New York: Guggenheim Museum, 1993 [AB]: large format; NB page 299/300 torn out, which included part of L’s Interior with Mirrored Wall (1991) as fig.233; cf.source image from L’s sourcebooks, fig.234, p.301, with discussion of L’s use of sources for his early 90s domestic interiors – culled from magazines, Rome Yellow Pages etc.
[484] Hendrickson, Janis, Lichtenstein, Cologne: Taschen, 1988 [AB]
[485] Adelman, Bob, & Tomkins, Calvin. The Art of Roy Lichtenstein: Mural with Blue Brushstroke. London: Pavilion Books, 1994 [AB]: re 1986 mural in New York
[486] Corlett, Mary Lee. The Prints of Roy Lichtenstein: a Catalogue Raisonné, 1948-1993. New York: Hudson Hills Press & Washington NG, 1994 [AB]
Lichtenstein – see also Rosenthal, Artists at Gemini 1992 [385]
[487] Homage to Richard Lindner. New York, 1980 [AB]: special issue of the XXe siècle review; texts by Werner Spies & others; signed by AB
[488] Lissitzky-Küppers, Sophie. El Lissitzky: Life, Letters, Texts [1968], rev. edn., London: Thames & Hudson, 1980: some pp.marked – e.g. pls.47-49 (20s works), fig.235 (1925 office block project)
[489] Davidson, Fiona. Charles Rennie Mackintosh. Andover: Pitkin, 1998: booklet bought at Tate
[490] Passeron, Rene. Rene Magritte. Cologne: Taschen, 1985: clipped on pp.33/4, 42/3
[491] Morrisroe, Patricia. Mapplethorpe: a biography. London: Macmillan, 1995 [AB]
[492] Javier, Guy (intro.). Mariscal. Cologne: Taschen, 1992/1994 [AB]: Spanish artist, c.1980s
[493] Brill, Frederick. Matisse. London: Hamlyn, 1967: colour-plate book
[494] Flam, Jack. Henri Matisse 1869-1954. Cologne: Koenemann, 1994: inc.fold-outs (e.g. Parakeet & Mermaid 1952, col.pl.115)
[495] # Guichard-Meili, Jean. Matisse. New York: Praeger, 1967 [HAA 10.3 (iii).12]: World of Art library; inscribed inside by Arkley (early acquisition?)
[496] Jouffroy, Alain. Miro. Paris: Hazan, 1987: small format
[497] Milner, John. Mondrian. Phaidon, 1992 [AB]: major study
[498] # Malcolm Morley: Paintings 1965-82. London: Whitechapel Art Gallery, 1983 [HAA 10.3 ii 119]: exh.cat.; inscribed on p.1: “H.Arkley”; well-thumbed copy, though no apparent markings
[499] # Robert Morris. London: Tate Gallery. 1971 [HAA 10.3 ii 120]: exh.cat., texts by Michael Compton & David Sylvester; inscribed by HA
[500] Etchings from the Estate of Ben Nicholson. London: Waddington Graphics, 1983: exh.cat.; mostly ills.; NB linear works
[501] # Erwin Olaf: Stars in Black & White & Colour. Sydney: Roslyn Oxley9 [HAA 10.3 ii 121]: cat.of exh., 4 Feb.-2 March 1996; curated by Jonathan Turner; for Sydney Gay & Lesbian Mardi Gras
[502] Benezra, Neal (et al.). Ed Paschke. Chicago, 1990 [AB]: Chicago Pop artist (70s-90s); NB air-brush effects, inc.coloured line-work
[503] Philip Pearlstein: a retrospective. Milwaukee Art Museum, 1983 [AB]: exh.cat., texts by Russell Bowman & others; insc. AB; large-format, heavily illustrated
[504] # Tom Phillips. London: Marlborough Fine Art, 1973 [HAA 10.3 ii 122]: catalogue of exh.14 Sept.-20 Oct.1973; inscribed “Arkley 77”
[505] # Tom Phillips: Works, Texts, to 1974. Stuttgart: Hansjoerg Mayer, 1975 [HAA 10.3 (iii).23]: major exh.cat.; well-thumbed; a favourite artist of Arkley’s, acc.to Alison Burton
[506] Schiff, Gert (ed.). Picasso in Perspective. Englewood Cliffs: Prentice-Hall, 1976
[507] Richardson, John. A Life of Picasso, vol.II 1907-1917: the painter of modern life [1996]. London: Pimlico, 1997
[508] Mel Ramos: Pop Art Images. Cologne: Taschen, 1994
[509] Man Ray [1988], Cologne: Konemann, 1997: small format
[510] # Rietveld 1888-1964: Meubels/Furniture. Amsterdam: Stedelijk Museum, rev.ed., 1981 [HAA 10.3 ii 123]: small-format, not marked but clearly well-used; p.23 tagged; NB Red-Blue Chair (Roodblauwe stoel) is cat.no.1, dated 1918; also ill.in colour on back cover
[511] # Bridget Riley (The Great Artists, #86). London: Marshall Cavendish, 1986 [HAA 10.3 ii 124]: well-used copy; images clipped: pp.2729/30, 2731/32, 2733/34, 2735/36, 2741/42, 2743.44 & 2745/46]
[512] # Bridget Riley: Paintings from the 1960s and 70s. London: Serpentine Gallery, 1999 [HAA 10.3 (iii). 26]: major exh. catalogue, 18 June – 30 Aug.1999; texts by Lisa Corrin et al.; bought at exh.in 1999
[513] Cockcroft, James. Diego Rivera. New York: Chelsea House, 1991 [in series “Hispanics of Achievement”]: bought in LA 1999?
[514] # Dorothea Rockburne: Working with the Golden Section, 1974-76. New York: John Weber Gallery, 1976 [HAA 10.3 ii 125]: cat.of exh.30 Oct.-27 Nov.1976; v.minimal folded paper works; inscribed on title page: “E.Gower 77”
[515] Lavrentiev, Alexander. Rodchenko Photography 1925-1954. Cologne: Koenemann, 1995
[516] Ulf Rollof: 7 C’s. Swedish Pavilion, 48th Venice Biennale, 1999
[517] Goldman, Judith, James Rosenquist: The Early Pictures 1961-1964, New York: Gagosian Gallery/Rizzoli, 1992 [AB]: NB this includes a valuable section on R’s use of sources
[518] Glenn, Constance, Time Dust – James Rosenquist: Complete Graphics 1962-1992, Rizzoli, 1993 [AB]
[519] Castelli, Leo (& others). James Rosenquist: the Big Paintings – Thirty Years. New York: Rizzoli, 1994 [AB]: major monograph, ed.Susan Brandage, interview by Craig Adcock; NB esp. favourite work of HA’s, F-111 (1965) (86’ long) – see e.g. installation photo at the Met 1986, over 3 walls (cf.HA’s Fabricated Rooms)
[520] # Edward Ruscha. Paris: Pompidou Centre, 1991 (?) [HAA 10.3 (iii).27]: exh.cat., texts by Pontus Hulten et al.; French text; good ills., inc.elephant!
[522] Marshall, Richard. Edward Ruscha: Los Angeles Apartments 1965. Whitney Museum of American Art, 1990 [AB]: (exh.cat.) {NB author also wrote major Ruscha monograph, Phaidon, 2003}
[523] # Mario Salina. Rasponi Arte Contemp., 1992 [HAA 10.3 ii 126]: same format as Guerzoni catalogue [447]
[524] Kahn, Gustave (ed.). The Drawings of Georges Seurat [1928]. New York: Dover, 1971 [ex Moorabbin TAFE library]
[525] Seurat, Phaidon, 1972: colour-plate book, 1st publ.1965; ex Prahran CAE lib.; texts by Roger Fry & Anthony Blunt
[526] # Sottsass Associates. New York: New York: Rizzoli, 1988 [HAA 10.3 (iii).31]: essays by Ettore Sottsass, Barbara Radice, & others; NB major ref. for Arkley’s furniture ideas
[527] # Sottsass Associati, 1980-1999 Frammenti. New York: Rizzoli, 1999 [HAA 10.3 (iii).32]: ed. Milco Carboni; Italian/English text
[528] # Pierre Soulages: paintings and works on paper. South Yarra: Tolarno Gallery, 1989 [HAA 10.3.ii.127]: cat.of exh, 3-24 Aug.1989; 70s-80s works via Galerie Lebon, Paris
[529] Makarius, Michel. Vuillard. Paris: Hazan, 1989: small format
[530] # John Walker Prints 1976-84. London: Tate Gallery, 1985 [HAA 10.3.ii.128]: intro.text by Memory Holloway
[531] Alexander, Paul. Death and Disaster: the rise of the Warhol Empire and the race for Andy’s millions. New York: Little, Brown & Co., 1994
[532] # Bourdon, David. Warhol. New York: Abradale Press [Abrams], 1989 [HAA 10.3 (iii).5]: major study, annotated by Arkley: tagged at pp.90 (text noting W’s refusal to take positions, while adding that this does not imply any lack of “substance or significance”), 300 (Esquire 1969 cover with W.drowning in soup), 312-13 (W’s Mao 1973), and 393, fig.317 (Rorschach Test [1984] (2 panels), possibly relevant to Arkley idea for computer-generated totemic images c.1998
[533] # Honnef, Klaus. Andy Warhol: commerce into art. Cologne: Taschen, 1991 [HAA 10.3 (iii).16]: inscribed“Howard Arkley 92”
[534] Stealingworth, Slim. Tom Wesselmann, New York: Abbeville Press, 1980 [AB]: major study, inc.extensive coverage of his Great American Nude images; cf. clippings of several of these in HA source material (NB Slim Stealingworth was a pseudonym Wesselmann used)
[535] Hunter, Sam. Tom Wesselmann. Barcelona: Ed. Poligrafa, 1995 [AB]: inc.his late laser-cut works
[536] # Zanuso: 1971 Dunhill Industrial Design lectures, Melbourne: Trevor Wilson, 1971 [HAA 10.3 ii 129]: furniture, offices etc.
[537] # Surfacing Images: the Paintings of Joe Zucker, 1969-1982. Albright-Knox Art Gallery, Buffalo, NY, 1982 [HAA 10.3 ii 130]: exh.cat., essay by Susan Krane; copy stamped on 1st page: “Holly Solomon gallery, New York”; Chicago artist [1941-2024]; large-scale works; some pages clipped