1. MAGAZINES & JOURNALS – Art/Misc.
(photo: cover of Airbrush Action, May-June 1990 [7])
21C: the Magazine of the Australian Commission for the Future
[1] # * Vol.1 (Summer 1990-91) [HAA 10.6.234]: tagged at pp.23 & 45; NB also article on computer-generated art pp.67ff.
[2] Spring 1992: inc.article on computer imaging
ACE (Advanced Computer Entertainment)
[3] * no.15 (Dec.1988): pixellated images of buildings tagged
Adart
[4] * 2/87: fashion etc, some pages tagged
Agenda
[5] 1.1 (June 1988): inc.Christopher Heathcote review of John Nixon’s City Gallery exh. ‘La Boheme’ (inc.Arkley’s The Ritual)
[6] # * no.28 (Summer 1992/93) [HAA 10.6.235]: NB Arkley’s second copy, with added doodles on pp.53 & 59, is also held in HAA 1.2.1; see reproduction in Carnival in Suburbia, Fig.5.4
Airbrush Action
(USA)
[7] # * 6.1 (May-June 1990) [HAA 10.6.236]: with note on cover [see photo above]: ‘Note. How to make bricks’ (ref.to pp.66-67); & several pp.clipped (e.g.69/70, 73/74)
Arena
[8] no.15 (Feb.-March 1995): suburbia issue; Arkley’s Floriated Residence reproduced on the cover
Art and Australia
[9] * 4.4 (March 1967): Roland Wakelin 1928 interior image clipped from p.287
[10] * 10.2 (Oct.1972): cover missing, p.131/132 clipped (Tyndall?), pp.159-64 and 177-8 missing
[11] * 14.1 (July-Sept.1976): (cover story on Robert Rooney by Robert Lindsay, pp.50-59; pp.61-65 removed, clipped, from story on David Moore); p.66 clipped (Jan Senbergs)
[12] # 24.3 (Autumn 1987) [HAA 10.6.237]: inc. Juliana Engberg article on Arkley, pp.383-87
[13] 27.1 (Spring 1989): Christo etc.
[14] 29.3 (Autumn 1992): inc. Chris McAuliffe on Linda Marrinon
[15] 32.3 (Autumn 1995): ‘Women’ issue
[16] 34.4 (1997): ’Melbourne’ issue, with Arkley’s New Room (1993) on the cover; also article by Chris McAuliffe pp.502-12 on art & punk in Melbourne, mentioning Arkley.
Art & Text
[17] # no.1 (Autumn 1981) [HAA 10.6.238]: inc. “New Wave” article by Paul Taylor (pp.23ff.), including reference to Arkley
[18] no.7 (Spring 1982): inc.article by Celant on Futurist spaces, pp.12ff.
[19] # no.16 (Summer 1984/85) [HAA 10.6.239]: NB Philip Brophy article on Australian art since 1980 (pp. 68ff.), inc. reproduction of Arkley’s Felony at Edinburgh, p.78
[20] no.17 (April 1985): article on graffiti by Duncan Smith, pp.84ff.; also articles by Barthes, Lyotard, and Krauss on Primitivism
[21] no.20 (Feb.-April 1986): including material on Gilbert & George, interview with Allen Jones, etc.
[22] * no.27 (Dec.-Feb.1988): special issue: “Art Brut: Madness and Marginalia”: pencil markings at pp.18 (graffiti), 62 (re Cunningham Dax video re psychiatric art 1984) & 78-79 (more on Cunningham Dax)
[23] # * no.29 (June-Aug.1988) [HAA 10.6.240]: NB pencil underlining p.90 (passage on pastiche from Jameson on Judy Chicago); issue also contains excerpt from Baudrillard’s America, and features on Julie Brown-Rrap etc.
[24] no.35 (Summer 1990): interview with William Burroughs, pp.38ff.
[25] no.36 (May 1990): inc.review of SA exh. inc.ill.Arkley’s Suburban Interior (1983), p.130
[26] no.44 (Jan.1993): Stephen O’Connell review of “Mix’n’Match”, pp.79-80; & Roger Benjamin article on Tony Clark, etc.
[27] no.48 (May 1994): material on Pierre & Gilles, Constanze Zikos, etc.
[28] no.49 (Sept.1994): inc. article re Constanze Zikos by Nikos Papastergiadis, pp.26-7, article by Frazer Ward on abject art (pp.47-51), critiquing artists like Cindy Sherman for uncritically recycling Kristeva; and feature on Pierre & Gilles (pp.52ff.)
[29] no.51 (May 1995): inc.Jeff Gibson report on “Downtown” (pp.20-21)
Art in America
{Arkley also owned various other issues from the late 1970s to early 90s, of no apparent interest to him, not listed here}
[30] * Sept./Oct.1975: p.47/48 clipped (Sol LeWitt), pp.67-72 removed (article on Che Guevara images); pp. 97/8 and 101/2 also clipped
[31] * Jan.1983 [Expressionism issue]: several pp.clipped/torn: 75/6 (Lester Johnson Self-Portrait?), 82 (Sherrie Levine Self-Portrait ), 97/8 (Penck), 115/6 (Al Held)
[32] * Jan.1984: p.123/4 clipped (Greenblat installation 1983 – source for Arkley & Davila’s Blue Chip?)
[33] # * March 1984 [HAA 10.6.241]: cover annotated by HA: “note Lichtenstein mural” (ref.article by Gary Indiana, pp.102ff.); p.157/8 clipped (Borofsky?)
[34] # * Sept.1984 [HAA 10.6.242]: p.92 marked (Miriam Schapiro?), numerous pages clipped/removed: 77/8; 81/2 (Pearlstein?); 153ff. (Martin Filler article on “High Ruse” architecture), and 177/8 (collaboration).
[35] * Jan.1985: Peter Saul’s name circled on cover; numerous pages clipped/removed inc.87/8 (Holzer?); 93-96, 97/8, 101/2 (all from Peter Saul article); 139/40, 141/2 (Ida Applebroog) and 145/6
[36] * June 1986 [on Kitaj etc.]: p.131 marked with ‘post-it’ label at B&W image of whale by Ralph Hamilton
[37] * Nov.1986 [Richter etc.]: Alex Katz article pp.153ff. marked by HA, and several pp.clipped inc.125/6 (Schiele Self-Portrait) and 162 (Lea Levine images)
[38] * Nov.1988: Donald Judd chair image clipped from p.91, top right
[39] * June 1989: p.143/44 clipped (Starn Twins?)
[40] * Feb.1990: marked on 1st page ‘Howard Arkley please return’; cover image (Decollage by Villéglé) also includes black spray possibly of interest to HA; no other apparent markings
[41] Dec.1990: NB Larry Rivers relief lithograph image (gallery advert.)
[42] * May 1992: post-it sticker marked “photocopy” at p.134/5 (Neil Campbell review p.135 inc.dot mural)
[43] # * July 1992 [HAA 10.6.243]: article marked by HA pp.88-91 re 1991 Lichtenstein Interiors from Whitney Biennial (cf.Arkley/Davila)
Art International
[44] vol.xxii.6 (1978): including details of Ken Unsworth exhibit at Venice Biennale
[45] * Sept.1979: several pages clipped: 19/20 (Fred Williams), 53/54 (Perlstein?), 79/80 (Hockney?), 83/84 (de Stijl), and 85/86 (Lissitsky?)
Art Line
[46] * vol.4.5 (Feb./March 1989): photo on p.17 clipped (Helmut Newton)
Art Monthly Australian & International
[47] * no.2 (July 1987): cover image clipped (Naum Gabo: bronze head 1916)
Art Monthly Australia
{Arkley also owned other copies, unmarked}
[48] * Sept.1987: some pencil underlining of article pp.27ff. on artist’s rights
[49] * no.22 (July 1989): Dale Hickey 1980 landscape clipped from p.11
[50] # no.37 (Dec.1990/Jan.1991) [HAA 10.6.244]: unmarked, but NB articles on Pinacotheca (pp.3-7: interview with Bruce Pollard), Art & Advertising (pp.8-9: review of Pompidou exh. see also HA copy of exh.cat.: Art et Publicité), and John Brack’s suburban imagery (pp.10-11)
[51] no.51 (July 1992): includes obituaries for both Georges Mora (by Richard Haese) & Brett Whiteley (by Colin Lanceley)
[52] no.118 (April 1999): Arkley’s Nick Cave on cover
Art Network
{Arkley also owned other issues published from 1980-86, of no apparent interest}
[53] 7 (Spring 1982): including Juan Davila on Stupid as a Painter
[54] * 10 (Winter 1983): various pages clipped from coverage of Australian Perspecta 1983
[55] # 11 (Spring 1983) [HAA 10.6.245]: inc.cover reproduction of Arkley collage (The Model, 1983)
[56] # 12 (Summer 1984) [HAA 10.6.246]: Sue Cramer review of “Comic Stripping” exh., pp.16-17, inc.Arkley image
[57] * 13 (Spring 1984); including Davila pp.50-51 re “Vox Pop” etc.
[58] 14 (Summer 1985): pp.3-4 re Arkley at ANZART 1985 (incl ill. of Arkley’s Felony)
[59] * 19/20 (Winter/Spring 1986): images clipped p.9/10 & top p.65/66
Artfan
{also several other issues, unmarked}
[60] # no.1 (Spring 1993) [HAA 10.6.247]: including reviews of Arkley’s “Mix’n’Match” exhibition by Louise Forthun & others
Artforum
{also various other issues from 1972 to 1992, not listed}
[61] June 1972: cover story on James Rosenquist: p.87/8 clipped
[62] Sept.1974: inc.Terry Smith article on “Provincialism”
[63] * Feb.1977: articles incl.Rauschenberg, Benjamin’s History of Photography; p.51 clipped (Blossfeldt fern photo next to Atget photo of Paris door c.1912)
[64] Sept.1977: inscribed ‘Howard Arkley 77’; articles on Schlemmer etc. {cover}
[65] # * Nov.1977 [HAA 10.6.248]: covers missing, p.22 clipped (Gabo); NB article pp.32ff. by John Perreault: ‘Issues in Pattern Painting’, used by Arkley for 1978-79 notes and artist’s statements (see discussion in Gregory, Carnival in Suburbia, 2006, p.55)
[66] * April 1981: pp.37/8, 39/40 & 69/70 all clipped
[67] * Nov.1983: p.53/54 clipped (Miro?)
[68] * March 1986: pp.9/10 clipped (Mondrian tributes); also Greil Marcus article re Sex Pistols etc., pp.85ff.
[69] # * Oct.1987 [HAA 10.6.249]: part p.4 clipped (Doré); & NB HA doodle on Lucien Freud head, p.118
[70] # * March 1989 [HAA 10.6.250]: tagged at pp.16/17, 102/3 (house photos by Thomas Ruff) & 105 {scans on file} and 113 (Karen Finley)
[71] * May 1990 [Gilbert & George cover; Keith Haring pp.135ff.] – marker at p.173 (Peggy Phelan article re Joyce Kozloff) [possibly marked by AB? – check]
[72] * Sept.1990: marked at pp.21 (Karen Finley) and 162/3 (noted as “Aaron Fink counter image”)
[73] Dec.1990: marked at p.150 (Matt Mullican exh.review)
[74] Sept.1991: no annotations; but NB several articles here re pattern/ornament, esp.pp.95ff.: Bruce Ferguson, “Patterns of Intent” (works by Christopher Wool); pp.99-102: Joost Elffers & Susan Meller, “Material Things” (patterns via forthcoming book on textiles); and Massimo Carboni, “Infinite Ornament”, pp.106ff., re PoMo revaluation of ornament, inc. links with “the ritual, the sacred, the sacrifice”; also pp.118-23: Deborah Drier, “Spiderwoman” (works by Rosemary Trockel from recent Boston retrospective).
[75] Oct.1991: series of articles on housing, of likely interest to Arkley, including Carol Squiers, “Domestic Blitz” (pp.88-91)
[76] Summer 1992: Absolut ad by Ruscha inside back cover
Artlink
[77] * 9.1 (March-May 1989) [Art & Technology issue]: images clipped pp.23/24, from article on AI drawings by a computer program
Artnews
{Arkley also owned other, issues unmarked and not listed here; many copies were stamped as ex Moorabbin Technical School}
[78] * 64.2 (April 1965): cover missing (Rivers, Dutch Masters 1964); various pp.clipped/torn out: 11/12 (Dorazio), 15/16, 27/28 (missing), 29/30 (Allen Jones?), 35-38 (Rivers), 41/42 (Op Art), 45/46
[79] * Dec.1965: pp.29/30, 35/6, 47/8 (Katz) all clipped
[80] * Feb.1966: pp. 5/6 & 15/16 clipped, pp.23-28 removed
[81] * April 1966: covers missing, various pp.missing: 23-28, 33/34, 37-44 (Gottlieb etc.?)
[82] * May 1966: p.17/18 clipped; tagged at pp.26/7 (Newman’s Stations of the Cross 1958-66) & 48/9 (Indiana)
[83] * Oct.1966: cover missing; p.38 marked; clippings from pp.17/18, 49/50 (also marked); pp.39-46 missing
[84] * Summer 1968: pp.37-50 missing; p.51/2 torn
[85] * Sept.1968: p.55/6 torn
[86] # * April 1982 [HAA 10.6.251] NB HA note on cover: ”Ed Rusha” [sic]: feature article pp.74-79; also marked at p.79: e.g. 1973 work by Ruscha, ill.p.80 – hot sauce on moiré (!)
[87] * May 1985 [Longo etc.]; p.115/16 ripped
[88] * March 1988: pp.93/4 & 207/8 clipped
[89] * Nov.1988 [‘Inside the Art Market’]: pp.33/4 & 35/6 clipped/removed
[90] * May 1989: pp.88/9 & 160/1 tagged
[91] Oct.1989 [pornography]: p.29/30 clipped
Arts Magazine
[92] * June 1976 [Motherwell on cover]; p.25/26 partly torn
[93] * Oct.1976: pp. 5-20 & 119-24 missing, pp.25/6 & 125/6 clipped
[94] # * Sept.1977: Klee issue [HAA 10.6.252]: inscribed on p.1: “Howard Arkley 77”; clipped at p.130 (Klee); NB also series of articles here re Klee as teacher, draughtsman etc.
[95] # * Nov.1977 [HAA 10.6.253]: insc. p.1: “H.Arkley 77”; markers at pp.94/5 (Judith Rothschild), 96/7 (Ira Joel Haber – “malevolent” houses); also Clement Greenberg essay pp.86-7 (“Looking for the avant-garde” – high/low contradictions)
[96] * April 1981: marked at p.11 (Bernard Beck), 12/13 (Krevit?), clipped at pp.34 (Sandy Kinnee paper kimono), 54 (Minos Milonas) & 55 (ads., inc.cacti photos)
[97] * Jan.1982: p.8 removed (for Delagi head?)
[98] * Feb.1982: several pp.clipped: 8 (for Waid head?), 45/6 (adverts.: Dubuffet/Leger) & 85 (Caro)
[99] * May 1982: p.20 clipped (Sheirr): also marked by HA at pp.138/39 (Tom Wesselmann)
[100] * April 1984: images clipped from pp.94 (Stuart Davis) & 103 (Raymond Hood Manhattan project 1950); p.125 removed (masks by US artist Robert Courtright c.1983)
[101] # * Oct.1984 [HAA 10.6.254]: NB Hockney new work article (pp.74-77) extensively clipped; also clipped at pp.127/8 & 131/2, from article re Ida Applebroog
Artscribe
{other issues unmarked, not listed}
[102] * 65 (Sept./Oct.1987): clipped: pp.1 (contents), 77/8; also here Haring (p.13 – painting a mural); Gilbert & George interview (34ff.); and Kuspit article re Sherman’s “horror” series (41ff.)
[103] * March/April 1988 – p.49/50 clipped & marked (Ross Bleckner)
[104] March/April 1989: Jeff Koons etc.
[105] * 88 (Sept.1991): markers at several pp., inc.38/39 (Lotringer interview); also clipped at pp.79/80, 95/96, 117/118 & 143/44 (Serrano); NB also Jim Shaw article pp.43ff.
Arts Melbourne
{some other issues held but not listed here}
[106] 6 a.m. (2.2, Dec.1977): NB articles re Jennie Watson houses, Lynn Hershman
Asian Art News
[107] 6.6 (Nov./Dec.1996): Arkley’s Actual Fractual on cover
Australia-Pacific Sign News
[108] * July 1989: neon sign images clipped from back cover
Australian Art Collector
[109] # 7 (Jan.-March 1999)[HAA 10.6.255]: feature pp. 28ff. on “Australia’s 50 most collectable artists”, including Arkley (with cover image)
[110] 8 (April-June 1999): inc.Op Art article pp.47ff., inc. reproduction of Arkley’s Print Out (1979)
Australian Financial Review Magazine
[111] Jan.1999 (“Estates of the Nation: Building Better Suburbs”): cover image of Arkley’s Large House with Fence (1998).
CD-ROM Today
[112] 8 (Dec.1994): unmarked, but NB p.27 (monster: Virgin game ad.)
Clinical Symposia
[113] * 3 (1965) – several pp.clipped (eye diseases etc.)
[114] * 10 (1967) – jaw image clipped p.11
[115] * 15 (1968) – page with heart murmur diagrams marked
Construction Equipment News
[116] 19.3 (March 1986) – earthmovers etc.
Craft Australia
[117] * Summer 1983/4 – ad.ripped out at p.9, part pp.31/32 clipped
Design World
[118] * vol.10 (1986) – p.78 marked (Montessori furniture); & pp.27 and following clipped
[119] * vol.15 (1988) – misc.pp.clipped, ads marked etc.
Electronic Gaming Monthly
[120] * Sept.1992: page clipped from ad. & also marked (painting idea?)
The Face
[121] 24 (April 1982): Lou Reed etc.
[122] 25 (May 1982): misc.music/London fashion etc.
[123] Oct.1989 (Vivienne Westwood etc.): NB whole section preceding p.109 ripped out (from article called “The Fashion Wars,” re Westwood etc.)
FEN [Factory Equipment News]
[124] 21.2 (Feb.1986)
Flash Art
NB HA had an extensive but broken run, from c.1975-1992; many copies unmarked and discarded
[125] * 70/71 (Jan.-Feb.1977) [insc. on p.1: “E.Gower”] – pp.29/30 & 73/4 (Sol LeWitt) clipped
[126] * 76/77 (July-Aug.1977) [with Heute Kunst 19 at back] {priced at A$7 on cover – clearly bought at the time} – p.33/4 torn; NB also serial work e.g. p.40 possibly influential on HA?
[127] * 111 (March 1983) – tagged at articles re artificiality, cartoons & art, etc.; also De Chirico etc.
[128] # 112 (May 1983) [HAA 10.6.256]: inc. Paul Taylor ‘Popism’ article, pp.48-50, inc.ill. of HA’s Primitive Silver p.50
[129] * 120 (Jan.1985): NB Paul Taylor article, p.67ff., re Australian painting in the 80s (Tony Clark etc.); also Dale Frank interview
[130] * 124 (Oct./Nov.1985) [Haring, Sherman etc.]: skull image by Lucas Samaras clipped from p.43/4; NB also HA texta emphasis on p.53 ill.of Narcissus by David McDermott & Peter McGough
[131] * 127 (April 1986): pp.39/40 clipped (Kosuth)
[132] * 130 (Oct./Nov.1986) – tagged at article re Francesco Lo Savio (50s-60s Italian painter); also Schnabel etc.
[133] * 131 (Dec.1986-Jan.1987): NB Jameson interview pp.69ff. re Post-Modernism
[134] 132 (Feb./March 1987) – pp.81/82 clipped (from “Post-Feminism” article); & Koons etc.
[135] 134 (May 1987) – Don Judd interviewed by Paul Taylor etc. [ex lib copy]
[136] * 136 (Oct.1987) – HA marker at interview with Ettore Sottsass, pp.75ff., inc. positive comments re suburbia; also Barbara Kruger etc.
[137] # * 142 (Oct.1988) [HAA 10.6.257]: contents page & verso clipped (NB Wesselmann nude: cf.HA’s Mills & Boon life drawings), & cover article on Malcolm Morley, pp.76ff. (inc.underlining and added doodle by HA over Morley self-portrait p..80)
[138] # * 143 (Nov./Dec.1988) [HAA 10.6.258]: post-it note on cover with comment on article re Barbadian-US artist Ashley Bickerton pp.79ff.; and another sticker p.81 with small furniture drawing; also post-it at back with note re a planned triptych
[139] # * 145 (March/April 1989) [HAA 10.6.259]: inc.marker at “painting as architecture” article pp.72ff. (esp.Sol LeWitt mural p.74)
[140] 149 (Nov./Dec.1989): Haring image tagged (near start), Longo pic.marked p.159
[141] 152 (May/June 1990): pp.clipped inc.Mario Merz pp.123ff., & Dan Graham, pp.143/44
[142] 160 (Oct.1991): NB John Cage article
Geo: Australia’s national geographic
[143] * 8.4 (Dec.1986-Feb.1987): exotic orchid marked p.53, and NB another tagged on p.62 with doodled additions by Arkley in black pen [copy apparently mislaid, unfortunately]
Good Weekend
[Sydney Morning Herald/Age magazine]
[144] 11 Dec.1993: cover marked “Must keep” for both Corrigan story (new RMIT building), & Craig McGregor cover story re Middle Australia / suburbia etc.
[145] 8 Nov. 1997: Arkley article by Virginia Trioli, pp.34-35
Graphis [ex VCA library copies]
[146] * 240 (1985) – several pp.clipped/torn here: 11/12, 17/18, 21/2, 41/2 (torn out), 43/4 & 49/50
[147] * (Nov./Dec.1988) – NB several (unpaginated) pages torn clipped here – inc.2 marked “Sky”
[148] * 260 (March/April 1989) – marked: pp.46/7 (office buildings etc.), 48/9 (modular cubes & screens); clipped: 17/18, 27/8, 29/30, 59/60 (and marked), 93/4, 99/100; torn out (and marked): 43/4
Hemispheres [United Airlines inflight mag.]
[149] June 1999: Margaret Moore article on Arkley, pp.64-69
Holland Herald [KLM inflight mag.]
[150] June 1999 [cover story” “The new Australians”]: features Arkley (as Australia Venice Biennale representative), pp.21/23 (and reproduction of Nick Cave on p.41)
Imprint
{Print Council of Australia mag., 1966- ; Arkley also owned other issues, unmarked, & discarded}
[151] * 2-1985 (June) – NB HA note on cover: “Handmade paper Jabberwock Hobart etc. (must read)” – re article pp.6-7, also marked by HA, as are other refs pp.3 & 14
[152] * Sept.-Dec.1985 – annotated by HA: “good copy – keep pp.6,12” [article re Ken Tyler] & also re Tyler workshops pp.15-18; and p.28 also marked – re Jabberwock
[153] * vol.22, 1-2 (June 1986) – NB HA cover note: “Most recent paper makers address” (and note re this again on p.23) {photo}
[154] * vol.23, 1-2 (June 1988): NB p.18 clipped (large scale woodblock prints by Ken Orchard) & HA note p.25 re p.18 {see file photo of Ken Orchard, p.25}
McCall’s Needlework & Crafts
[155] # Fall 1977 [HAA 10.6.260]: typical example (inc. stylized patterns etc.), probably of interest to both Arkley and Elizabeth Gower
Modern Painters
[156] 11.1 (Spring 1998): ‘New York issue’ – NB David Bowie interview with Jeff Koons etc.
Next
[157] xv.6 (Spring/summer 1999): 48th Venice Biennale feature issue, including profile of Arkley and details of Fabricated Rooms, p.35
Novum Gebrauchsgraphik
[158] * April 4/85 – back cover missing; several pp.clipped or torn out: 21/2.23/4. 27/8, 31-38, 39/40, 43-46, 49/50, and 51-58
October
[159] 1 (Spring 1976) – inscribed “H.Arkley 76”, but nothing else marked; Foucault, Stella etc.
[160] 2 (Summer 1976) – nothing marked, but NB Rosalind Krauss re Jasper Johns etc.
Omni
[New York journal]
[161] * Jan.1991: virtual reality etc. – a few pages clipped
On the Beach
[162] vol.3/4 (Summer/Autumn 1984): inc. interview with Julia Kristeva etc.
Palette
[163] # vol.1 (Spring 1959) [HAA 10.6.261] – NB several articles here on colour (journal published by a Swiss chemical company)
Parkett
[164] # vol.4 (1985) [HAA 10.6.262] – inscribed “H.Arkley 86” (Aleks Danko’s name crossed out!); texts re Meret Oppenheim etc.
Qantas: the Australian Way
[165] 72 (June 1999): profile on Arkley at the Venice Biennale pp.64-65
Real Life magazine
[166] # 9 (Winter 1982/83) [HAA 10.6.263]: Paul Taylor re Popism on pp.14ff., inc.ill.Arkley’s Primitive Gold etc., p.18
Scientific American
(Arkley also owned various other 1970s/80s issues, of no apparent interest to him)
[167] # * (unknown date – 60s?) [HAA 10.6.265]– 3 loose sheets (pp.59/60, 61/2, 65/6) from astronomy article with galaxy photos marked up by Arkley {found loose in his studio material – kept in plastic sleeves in files}
[168] # * (unknown date – 60s?) [HAA 10.6.266]– single sheet (page number unknown) – with photo of enzymes marked up by Arkley {found loose in his studio material – kept in plastic sleeve in files}
[169] # 208.5 (May 1963) [HAA 10.6.264] – NB particular attention given by HA here to article on pp.54ff., on “Moiré patterns” (i.e patterns involving “slightly misaligned parallel lines” – colour cover image gone, images cut out from pp.55/56 [NB see now discussion in Gregory, Eyeline (2000/2001), and Gregory, Carnival in Suburbia (2006), pp.73ff.]
[170] * 210.2 (Feb.1964): pp.33 & 119 cut (adverts)
[171] * 210.4 (April 1964): images cut out from pp.73/4 & 75/6
[172] * 211.1 (July 1964): part of pp.87/8 torn out (advert?)
[173] * 212.2 (Feb.1965): NB article on pp.38ff., on “Texture & visual perception”, with pp.43/44 torn out, and an image cut from pp.47/48; also part image cut fr advert p.55
[174] * 215.3 (Sept.1966): animal cut out from p.126 (advert.)
[175] * 215.5 (Nov.1966): image cut from p.131
[176] * 216.2 (Feb.1967): pp.63/4 and 69/70 torn out, and images cut from pp.65 & 68 (all from article on sleep); and pp.127/8 torn out
[177] * 233.6 (Dec.1975): photo cut out from pp.27/28 (mining article)
[178] * 237.1 (July 1977) – various pp.marked, e.g.27, 45 etc. (photos possible refs.for “white paintings”?); NB also DNA image p.23
[179] * April 1978: cover story on “Fractal curves” by Martin Gardner, pp.16ff.; p.58 clipped and drawn on by HA; p.63/64 torn out ; NB also Polaroid cameras on pp.82/3 (cf.Arkley’s Polaroid Portrait 1990)
[180] * 240.2 (Feb.1979): whole cover image cut
[181] * 246.1 (Jan.1982): pp.135/6 torn out, from article on “The psychology of preferences”)
[182] * 247.4 (Oct.1982): markers at several pp.here – pp.103 & 114 (3D shapes from article on Artificial Intelligence – possibly related to HA’s furniture shapes?) & 150 (advert).
[183] * 250.6 (June 1984): images cut from pp.11/12,13/14 (adverts?)
[184] * Special Issue 1991 (“Science in the 20th Century”) – HA has put markers in pp.144/45, 158/9 & 180/81, with various patterns in evidence…
The Scuba Diver
[185] * 1.1 (Dec.1981): colour photo of fish p.31 with added Arkley doodle; pp.33/36 clipped (more fish)
Sign News & Screen Printing
[186] Jan./Feb.1991(unmarked)
Studio International
{UK journal publ.1964-88; Arkley also owned other issues, of no apparent interest to him}
[187] * May 1966: covers missing; part p.85/86 torn, pp.89-94 removed (Kokoschka etc.?), p.105/6 clipped (Vasarely?), p.117/118 torn out
[188] * Sept.1966 [ex Moorabbin Tech.School] – Jim Dine image marked p.123, p.141/2 clipped (Patrick Hughes?), pp.145-50 clipped/missing
[189] July/Aug.1970: inc.artists’ projects (book supplement)
[190] * Nov.1973 [HAA 10.6.267] – marked at pp.171 (on Futurist architecture) and pp.184/5 – part of article on Hairy Who etc. in Chicago [also a doodled clipping of a head inserted loose]
[191] * Dec.1974 – NB part p.269 clipped (Modern Interior print by Jeffrey Edwards 1974)
[192] * Jan./Feb.1975 [Duchamp etc.]: cover marked “H.Arkley”; various pp. marked: pp.10/11 (Ben Nicholson new paintings), 29 (Duchamp remark 1915 re El Greco as root of Picasso!), 38/39 (Duchamp’s Chocolate Grinders), 45 (remarks re Duchamp as an artist); and pp.31/32 and 47/48 clipped (both Duchamp images?)
Tate [the Art Magazine]
[193] 18 (Summer 1999) – [inc. article re Gary Hume in Venice – see HA catalogue]; no markings; presumably bought in London mid ’99
Tattoo Flash
[194] 7 (Feb.1995) – characteristic issue [unmarked]
Tension
(published in Melbourne, 1983-91; ed.Ashley Crawford; Ashley owned most issues published, but only those of apparent interest to him are listed here. However, vol.4 [1984], not found in Arkley’s library, was certainly of interest to him, with a cover by Keith Haring, commissioned by Tension while the US artist was in Australia, an article on Haring by Crawford, and an article on graffiti by George Alexander)
[195] # 1 (July/Aug.1983) [HAA 10.6.268]: inc. Paul Taylor int’view with Daniel Thomas re A Melbourne Mood
[196] # 2 (Sept./Oct.1983) [HAA 10.6.269]: nothing marked here, but NB articles re Malcolm McLaren, Bowie/Oshima, Crimp on appropriation, inc.Sherrie Levine Weston rip-off (p.12), Jean Baudrillard on Pop
[197] # 3 (April 1984) [HAA 10.6.270]: Tony Clark re Nick Cave; also articles on Tillers, Clemente & Peter Corrigan
[198] # * 5 (Oct.1984) [HAA 10.6.271] – contents page tagged ; also Jean Baudrillard, Mike Parr, Tony Clark etc.; p.39/40 removed
[199] # * 6 (Jan./Feb.1985) [HAA 10.6.272]: Shark LeWitt etc.; p.3/4 removed; NB pp.13/14 (Philip Fawks drawing)/14 & 15/16 clipped
[200] # * Visual Tension (Feb.1985) [HAA 10.6.273] (= special issue of Tension, Feb.1985, ed. Ashley Crawford & John Buckley): NB Arkley’s Zappo Head p.20 (Arkley’s copy altered by the addition of further lines, and signed & dated “HA.85”)
[201] # * 7 (May 1985) [HAA 10.6.274]: Nick Cave etc.; pp.29/30 & 31/32 clipped
[202] # * 8 (Sept.1985) [HAA 10.6.275]: includes material on Mike Parr, Peter Tyndall; also Paul Taylor article, “Civilization and its discontents”, pp.12-13 (reading modern art through Freud; 1st pub.in Flash Art Jan.1985); pp.25/26 & 31/32 clipped
[203] # * 9 (May 1986) [HAA 10.6.276]: pp.3/4 removed
[204] # * 10 (Sept./Oct.1986) [HAA 10.6.277] – McLaren etc.; p.15/16 clipped; also Michael Anderson on Edmond & Corrigan, pp.34-35: tagged
[205] # * 11 (Jan./Feb.1987) [HAA 10.6.278]: NB Arkley amendment to Stieg Persson image on p.11/12 (transparent page); also Brett Whiteley interviewed by Phillip Adams (NB cover quote: “I can no longer dismantle {sic} my talent from my disease”; and full-page ill.of Whiteley’s Smack 1974-82 on p.7)
[206] # 12 (Dec.1987) [HAA 10.6.279]: cover story on the music of Nick Cave; Ted Colless re Lindy Lee, etc.
[207] # 13 (June 1988) [HAA 10.6.280]: review article by Richard Brown, inc.Arkley’s After Dürer (working drawing 1987), p.35; also articles re Jenny Watson etc.
[208] # * 14 (1988) [HAA 10.6.281]: cover missing [Bill Henson photo of girl’s face]; pp.25/26, 35/36 & 37/38 all clipped/removed
[209] # 15 (Dec.1988) [HAA 10.6.282]: Philip Guston etc.
[210] # 16 (May 1989) [HAA 10.6.283] – Punk etc. – inc.Paul Taylor re McLaren, pp.10ff.; & NB HA note on p.44 image of 30s German poster: “good image of eyes?” {scan on file}
[211] # 17 (Aug.1989) – inc. Paul Taylor on Cindy Sherman
[212] # 18 (Oct.1989) [HAA 10.6.284] – inc.Arkley article by Richard Brown, pp.35ff.
[213] # 19 (Jan.1990) [HAA 10.6.285] – special 80s ed. (inc.some refs. to HA)
[214] # 20 (March 1990) [HAA 10.6.286] – Avant-Garde Art in the USSR, Frida Kahlo etc.
[215] # 21 (June 1990) [HAA 10.6.287] (Biennale issue) – HA marker & sketches over Neil Dawson house pp.12/13 {scans on file}
[216] # 22 (Aug.-Sept.1990) [HAA 10.6.288] – NB HA markers at pp.32 (Stephen Bram interior after Lissitzky) and 66/67 (kitschy Gerber l’scape?)
[217] # 23 (Oct.-Nov.1990) [HAA 10.6.289] – Rooney etc.; p.5/6 clipped
Trees & Victoria’s Resources
(published 1981-84)
[218] vol.25.1 (March 1983) – cover (drought image) and p.15 (article on “Bryophytes” inc.B&W photos of mosses etc.) both missing
VIVA
(published in New York, 1973- )
[219] Feb.1977: Hite Report etc. [unmarked]
[220] March 1978: Punk issue: photos etc. [unmarked]
Vogue Australia
(Arkley also owned various copies [60s-80s], unmarked, not kept)
[221] April/May 1968 – several fashion pages clipped/removed (e.g. p.123/4); pp.107ff. tagged (David Bailey photos etc.)
[222] Aug.1998 – feature pp.52-53 (“the Colourists”) includes Arkley
Woman’s Weekly
see under 2.Architectural etc. journals, below
World Art
(Melbourne; 1994- ; Arkley owned a good though broken run from 1st issue [1993] to 1998; unmarked copies discarded)
[223] Inaugural issue (Nov.1993) – inc.Tolarno ad.at start with ill.of HA’s Spartan Space (1992); also articles on Dale Frank etc.
[224] 1.1 (March 1994) [HAA 10.6.290] – NB article by Arkley p.108 (“The Naked Suburb”)
[225] 1/1995 [HAA 10.6.291] [‘Japanimation’ issue] – HA’s Floriated Residence ill.p.1 (Tolarno ad.); marker at p.44 for cover article]
[226] 3/1995 – inc. Tim Sowden review of “Downtown”, p.101; also Mark Dery re clown iconography
[227] 3/1996 – nothing marked (but NB cover article: ‘The Skin Trade’)
[228] 13 [2.97] – nothing marked but several articles of obvious interest to HA, inc. report by Greil Marcus on the Florence Art-Fashion Biennale, pp.14-19, article by Tim Griffin on Burroughs & Artaud, pp.26-31, rev Cronenberg’s Crash, inc.interview with Ballard, pp.60-64
[229] 15 [4.97] – NB p.13 ad.for Spray, in form of real estate ad.
[230] 19 [1998] – “art’n’rock’n’roll” issue: good set of articles here obviously of interest to HA: inc.pp.22-26: Rowland S.Howard, “Gimme Danger” (re Iggy Pop in London 1972); 28-52: Anne Marsh, “Shot by both sides; the death of the rock star as an original” (photography); 45-57: Chris McAuliffe, “L’Amour Fou” (art & rock&roll, esp.works by US painter Elizabeth Peyton); pp.58-59: McAuliffe, “Affairs of the Art” (Patti Smith artworks); also Ashley Crawford etc.